Critics had a lot to say about "Don't Tell Larry". Working from a concept from Greg, I nailed this on the first cut.

How much did the audience at the LA release premiere love Don't Tell Larry? This much! I had fun finding a structure and relevant clips to convey the excitement and energy of the audience reactions to the premiere of the film.

How not to be a Dumbass by using clips on a bench press. I am working together with Coach John to create and launch his social media branding and channels. This is one of the first in his Dumbass series, a lighthearted look on how not to kill yourself in the gym. Coach wanted to evoke those cheesy 80's PSAs; I had no idea how difficult it would be to edit badly, but I think we nailed it. Coach initializes the concept and shoots the footage; I cover picture edit, music choices, graphic design, final mix and color. All creative decisions are under my control; he shoots a bunch of stuff and I make sense of it and launch it into the world.

How not to be a Dumbass when you're setting up for the lift. I am working together with Coach John to create and launch his social media branding and channels. This is one of the first in his Dumbass series, a lighthearted look on how not to kill yourself in the gym. Coach wanted to evoke those cheesy 80's PSAs; I had no idea how difficult it would be to edit badly, but I think we nailed it. Coach initializes the concept and shoots the footage; I cover picture edit, music choices, graphic design, final mix and color. All creative decisions are under my control; he shoots a bunch of stuff and I make sense of it and launch it into the world.

Coach John instructs you on the best way to load a barbell - stripper pole tips included. I am working together with Coach John to create and launch his social media branding and channels. This is one of the first in his ProTips series, sharing professional insider tips and tricks to get the most out of your workout (with a little fun along the way.) Coach initializes the concept and shoots the footage; I cover picture edit, music choices, graphic design, final mix and color. All creative decisions are under my control; he shoots a bunch of stuff and I make sense of it and launch it into the world.

Jerri and Amber drive Cody up the wall with their subtextual food cravings. This scene helped Survivor secure an Emmy nomination for editing. At the nominees mixer, I had an editor who voted for the show tell me that he was so impressed that he couldn't see the second camera anywhere in the scene - I told him that was because this was shot with only one camera. He was floored.

Priorities are exposed during the bedroom challenge

Keith needs to perform some work in a horrifying pool. But with the threat of wild gators lurking around, is he in over his head? Under the network direction of "make it as cheesy as possible", I went a little overboard with this one. But I think I nailed the network note, don't you?

Nelly faces the daunting challenge of getting his first pair of glasses.